
I am cautiously optimistic about this shirt, readers!
Normally, I never wear shirts from cotton fabric this thick. But as the shirt takes shape, I am loving the result. The cotton is heavy, yes, but not stiff or cheap feeling. It's heavy like silk satin -- very luxurious.
The herringbone stripe, while subtle, is unforgiving: if the stripes don't match it's obvious (to me at least). It's also a bit hard on the eyes; after a few hours at the sewing machine, my eyes start to cross.
A few construction notes:
1. Despite being unfamiliar with this pattern's method of attaching the front placket (discussed in my last post), I was able to get a good result. I wasn't going to interface the placket given the thickness of the fabric, but I'm glad I did. It adds just enough extra crispness to be valuable.

2. For the first time ever, I attached a shirt pocket before attaching sleeves and collar!


3. The pattern is drafted with two balanced gathers in the back (below the yoke). I substituted a central pleat. Gathers are hard to press and end up looking shmushed -- is that a word?


4. The pattern calls for flat-felled seams formed on the outside of the shirt (see below), as opposed to the inside. I use this method only when I make jeans. I made my seams on the inside.

5. The instructions for the sleeve plackets used a method that was new to me. I did as directed and the results were fine.


I am hoping to finish my shirt tomorrow; cross your fingers.

In other news, I purchased some Calvin Klein T-shirts online last week and you would not believe the amount of packaging they came with. Do three T-shirts really need to come in a zippered plastic pouch? Am I supposed to store them in there between wearings?


Why is each shirt folded around a core of cardboard and taped closed? There were about ten pieces of tape per shirt.


So. Much. Waste.


I hope to find a storage-related use for that pouch. Any suggestions?
And that's it! I hope your projects are all going well and you're staying warm.
Have a great day, everybody!
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